
By Mike Himes

JIMI HENDRIX
VALLEYS OF
EXPERIENCE HENDRIX/LEGACY 2010
The cover looks kinda psychedelic and intriguing; I’ve heard about this guy from

GRAHAM PARKER
IMAGINARY TELEVISION
BLOODSHOT RECORDS 2010
When you think of the great song writers from the last few decades, you consider Neil Young, Bruce Springsteen and even Elvis Costello, but I bet few think of Graham Parker. In fact, I rarely do myself except when I put this disc in the player and start thinking back to all the great songs Graham has given us. His cynical and insightful perceptions are always on point and seem to please my taste quite nicely. He is very intelligent and even whimsical in his observations, in a Carlin or Mose Allison type of style, which makes Graham a unique artist. A reason Graham isn’t a household name could be due to his angry, cynical early years; or that he never got the airplay to reach the masses deserved of his talent. Either way he still has a lot to offer the world, this release serves up a solid album of mid tempo rock ditties that make it an enjoyable listen. Check out “Always Greener” and “You’re Not Where You Think You Are”. This release won’t put him into the songwriter’s hall of fame by any stretch of the imagination, but he does get my respect for consistently doing better than most. MIDNIGHT SOUVENIRS VERVE RECORDS 2010 I love Peter Wolf, and he loved
PETER WOLF
MOTOR CITY HORNS
LOCAL BOYS
BRASSJAR MUSIC 2009
How can I talk about this release and keep it short?
Take 4 of the most respected horn players from Detroit; have them record 15 songs, call in favors from all the appearances or gigs they’ve helped on and you get “Local Boys”. When I say call in favors I mean it! They had 44, yes forty four artists show up to play on this album. That’s way more than Baskin Robbins could offer! Most of the time when you get so many guest artist appearances, the recordings come off with no zest or life. They do a great job keeping it simple and free, so the record turns out to be a solid effort. The Motor City Horns consists of the core four horn players, Mark Byerly, Bob Jensen, Keith Kaminski and John Rutherford (founder of the band), all whom are experienced and talented players. Stand out tracks are “Kissing My Love” with Thornetta Davis belting out the vocals and Brett Lucas on guitar, and I also enjoyed the bluesy “ Remember Me” written and sung by Alberta Adams. Overall the record is a solid blend of blues, jazz and rock, done
MAGIC SLIM & THE TEARDROPS
RAISING THE BAR
BLIND PIG 2010
I got 3 new releases from Blind Pig the other day, so I figured I’d give them a spin and see what’s up. The first 2 didn’t hit me at all; they were too clean and polished for bands that would be great live. It never seems to amaze me how studio production and trickery can suck the life out of good, honest music…but I digress.
So I reluctantly tossed on the third disc not expecting much, and I’m glad I stuck it out!
Although this album is a bit more polished than I would usually like, it does come off as a good guitar based blues album. My toe started tappin’ and my head started bobbin, by the time it was done the CD ended up in my collection on the shelf.
I enjoyed “Do You Mean It” which is a straight forward rocker with a driving beat and the Elmore James cover of “I Can’t Hold Out”, but recommend the entire album, he gets the job done!
BILLY BOY ARNOLD/JOHN PRIMER/BILLY BRANCH/LURRIE
RAISIN’ MUSIC 2009
The liner notes tell me this is a tribute to the past, present and future of
That’s a pretty bold statement because
This project puts together 4 heavily respected
If you like traditional
Close your eyes and crank it up, you’d never know it was 2010 which seems to be the idea here. Combine the old guys with the new(er) and pass the